Ho w
to Indigo
Indigo
is probably the most widely used dyestuff of all time - indeed
denim jean material is still coloured using indigo dye as
it is extremely wash fast. It was used many centuries before
the Christian era in the Far East. Marco Polo saw indigo being
prepared in China during the 13th century; at that time European
dyers were obtaining blue colours from woad (Isatis tinctoria)
which contains the same indigo molecule. Traditional methods
of indigo dyeing can be observed today in Africa, Mexico,
India and Japan; indigo vats can be found in almost any country
in the developing world, as dyers have adapted age-old techniques
to their local situations.
Indigo dye is used extensively for batik and shibori.
Sources
Indigo is obtained from plants which contain the indican
molecule. These belong to different plant families; the most
common are of the genus Indigofera, but they also belong to
others including the buckwheat family, the Lonchocarpus cyanescens
found in Africa, or the Indonesian Marsdenia, and of course
Woad. Although the indican molecule is contained in all these
plants, producing the traditional blues requires more than
merely steeping fibres with the plants in a pot full of water.
Chemistry
Synthetic
indigo, prepared in the laboratory, contains the
identical molecular structure to the natural indigo, but it
has a much higher percentage of indigo per weight than the
natural form. It is necessary to use only 1/4 to 1/3 as much
synthetic indigo as natural. The powdered form is easiest,
as the lump indigo must be ground or pounded to reduce it
for use.
Although the indigo powder is blue, the indigo molecule
does not produce its blue colour until it is oxidised. The
indigo blue powder must be dissolved in an alkali bath with
the combined oxygen removed. This is done by adding spectralite
(thiourea dioxide) to the indigo vat during its preparation.
Indigo is only soluble in an alkaline solution made by dissolving
sodium carbonate (as Soda
Ash or Washing Soda) or caustic soda in water.
The resultant solution is a yellow-green in colour.
The alkalinity of the solution is controlled by the amount
of Soda Ash dissolved. This can be tested with the Universal
Indicator Paper. The pH needs to be between 9-11. At pH 11
it is easiest to reduce the indigo, but pH 9 is gentler on
silk and wool. For your first indigo bath it helps to work
at the higher range but not above pH11 and wash the dyed fabric
in vinegar as the final rinse.
The Dyeing Process The indigo dyeing process involves
making the soluble, yellow-green indigo in the bath turn blue
while still attached to the fibre. This is accomplished by
immersing the wetted (but not dripping) fibre, yarn or fabric
into the indigo bath and leaving it under the surface initially
for a period of 5-10 minutes. It is then removed very carefully
and slowly to prevent dripping, splashing or the
introduction of oxygen into the bath. It turns from yellow-green
to blue as it takes in oxygen from the air.
Indigo builds colour, so the more immersion-oxidation cycles,
the deeper the colour. This must be done with care to prevent
introduction of oxygen to the dye bath. Subsequent immersion
times must be kept to a minimum to ensure that the newly attached
molecules of indigo are not stripped off by the solution.
Indigo dyed materials are also very wash-fast, since the
indigo blue is not water soluble, except in alkali.
Before dyeing, it is important to check whether the item
is 'Prepared for Dyeing' (PFD) or requires scouring to remove
any grease, oil or starch. Run a few droplets of cold water
onto the fabric. If they soak in quickly, no scour is necessary.
To remove starches, size and oils, add 5mls of Synthrapol
(a non-ionic detergent) along with 2-3 litres of water for
each 100gms of material. Stir gently over a 15 min period,
and then rinse thoroughly in warm water. It is possible to
use household detergent, but the alkaline residue may affect
the final colour or wash fastness.
Equipment
- 1 large jar with lid, approx. 1 litre
- Stir sticks with at least one able to reach the bottom
of the dye bath
- 1 large dye bath with lid
- Rubber gloves; apron or old clothes
- Sink or tub for rinsing with water supply
- Clothes line for airing
Making a Stock Solution using Spectralite
(click here for an alternative method using yeast and sugar)
This solution is for up to 3 kg fibre.
- Mix together 25gm indigo dye powder and 15gm spectralite
in the jar
- Gradually add half a cup of warm water to make a paste
- Let the paste stand, covered, for 10-20 minutes
- In a separate container add 150gm of soda ash (sodium
carbonate) slowly to about 1/2 litre of water, stirring
until it is dissolved.
- Add this carefully to the indigo dye "mix" and
stir well.
- Replace the lid and let the solution stand until the
liquid clears. This usually takes 30-60 minutes. If possible
keep the temperature of the solution around blood heat.
- Test the liquid by dipping the plastic rod. As you pull
it out, the liquid should be yellow-green, turning blue
in around 30 seconds. If, at this time, there are white
specks on the plastic rod they should be dissolved by the
addition of a small amount of soda ash (sodium carbonate).
If blue specks are seen, the indigo dye solution still contains
some oxygen and needs a little more spectralite (thiourea
dioxide)
| Preparing the Indigo Vat and Dyeing
the Fibre |
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This process requires good ventilation, preferably outside.
- Fill the dye bath 2/3 full with water heated no higher
than about 50°C (140°F.)
- Add ½ teaspoon spectralite to the water and stir.
Cover and let the spectralite reduce the oxygen in the water;
this takes about 20 minutes
- Gently add about half your stock solution of indigo dye
to the vat. Any white precipitate in the stock solution
may contain undissolved indigo, which won't help your dye
in the vat, so avoid disturbing this layer if it has formed.
- Stir very gently to avoid introducing oxygen and cover
the vat for another 20-30 minutes.
- Immerse the wetted fibre, yarn or fabric into the vat.
Lower it gently with your sticks or rubber-gloved hands.
With a rod placed across the top of your bath, you can loosely
tie through a skein of yarn. This will enable you to "work"
the yarn under the surface without immersing your whole
arm in the vat.
- As you remove the fibre from the vat, squeeze it gently
as it comes out of the surface to remove surplus liquid.
Do not allow oxidised liquid to drip back or stir air into
the vat.
- Hang up the dyed fibre to allow it to oxidise as the colour
changes from yellow-green to blue.
- Keep immersing and oxidising until the desired blue is
obtained.
- When you are happy the shade, thoroughly wash your dyed
fibre in a bowl to which two tablespoons of vinegar have
been added, rinse it well and hang it out to dry.
Unless you are intending to dye all 3 kg at once, you will
not need to add all the indigo stock solution at the beginning.
As your dye bath gets depleted (i.e. the blue does not get
darker) you can add more stock solution. If the vat bath turns
blue, it means there is free oxygen in it, so add more spectralite,
one teaspoonful at a time, and let the vat rest for 15-20
minutes after each addition.
The vat will keep for 2-6 weeks if you cover it and add additional
spectralite to reduce any introduced oxygen (add about 1 teaspoon
at a time). Store the vat in a warm place if possible.
Hazards and Problems
- Spectralite (thiourea dioxide) can be unpleasant. Handle
it carefully and do not inhale it. Working outdoors and
carefully measuring with spoons will help. Be cautious if
there is a breeze, as the powder becomes airborne easily.
This chemical can ignite, so keep it away from sparks, fire
etc. Store in a labelled covered dark glass jar away from
children or other unsuspecting people or pets.
- Indigo powder adheres to your skin. Wear rubber gloves
and old clothes.
- If you find that your indigo dyed material seems to have
the colour rubbing or "crocking" off, the fabric
did not have the indigo attached well. Your alkali bath
may have been too weak to dissolve the indigo completely,
or the fibre itself may not have been ready for the indigo
vat; it should be well-wetted but not dripping wet. Soak
the yarn, fibre, fabric for 30 minutes in warm water, then
gently squeeze out the excess water and let it drip through
a colander for another 5-10 minutes. Then it is wet-damp
but not dripping.
The fibre may also have been too "slick" for the
indigo, which can occur when too much spectralite is added
to the vat or the indigo may simply not have penetrated
the fibres. Sometimes it helps to "work" the material
while it is immersed, by gently squeezing the liquid through
the fibre. Wear rubber gloves and be careful not to introduce
oxygen into the bath.
- It is clear that there are sensible precautions to be
taken when handling dyes and chemicals, particularly as
powders:
- Avoid inhaling dusts, they can produce an asthma type
reaction. People with known respiratory problems should
not handle synthetic dyes, and particularly the fibre
reactive dyes, in powder form. A dust mask should be
worn when working with the powders or exposed to an
aerosol from spraying dye solutions made up in water
- Avoid splashing solutions into the eyes, swallowing
the materials or prolonged skin contact. A simple 'non-contact'
approach (most people use gloves to avoid dyeing themselves)
plus normal, good, hygiene is sufficient precautions
for the occasional user
- Store in clearly labeled containers well away from
children, pets and foodstuffs. Treat dye powders and
solutions with the same caution as domestic poisons
(eg strong cleaners, bleaches or medicines)
- Dispose of spent solutions containing residues of
the dyes responsibly. Dilute and pour onto waste land
or into the sewage system. They have no known effect
on the environment when used in the quantities recommended
in the literature
Would you like to have a go? The Indigo
Dye Kit is an excellent way to learn all about
indigo dyeing. Alternatively,
visit this fascinating website, the Indigo
Page, to learn even more about this ancient dye
or Plant
Cultures which also features facts about other
plants such as Sandalwood, Hemp and Henna
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